NEWS

It is with a sad heart that we must announce the passing of a legend. Tommy Makem passed away on August 1st. Tommy was more than a musician to us. He was a friend. The contibutions that he made to the Celtic cause cannot be accounted. It has been said that we all stand on the shoulders of our ancestors. Many musicians today can say they have stood on the shoulders of Tommy Makem. Few people enjoy legend status during their lifetime. Tommy was one of those rare few.  He leaves a world of grieving fans and friends, but let us remember him for what he has given. Remember the stories, the music, the songs, and the craic. He leaves us a legacy of accomplishment, as well as fine children, who continue the work of their father. The Makem brothers, along with the
Spain brothers continue the work of Tommy. In their own words, the Tradition continues...

Tommy Makem

Tommy Makem is the son and heir of the legendary source singer Sarah Makem. He has also been known for many years as the modern day Bard of Armagh and is regarded around the world as "The Godfather" of Irish music.

Armed with his banjo, tinwhistle, poetry, stagecraft and his magnificent baritone voice, Tommy has been mesmerizing audiences for more than four decades. He has expanded and reshaped the boundaries of Irish culture, and infused a pride in that culture in the Irish, and a quest for knowledge of that culture in countless others.

Together with the Clancy Brothers, Tommy appeared on the Ed Sullivan Show, the Tonight Show, the Morning Show, PM East and PM West, and on every major television network show in the United States,and they soon became the four most famous Irishmen in the world. They played to SRO audiences from New York's Carnegie Hall and London's Royal Albert Hall to every major concert venue in the English-speaking world.

A rare thing is Tommy Makem --- singer, storyteller, actor and bard. All of those attributes can be enjoyed today, but it is as a songwriter that he will live for ever. "The Rambles of Spring", "Farewell to Carlingford", "Gentle Annie", "The Winds Are Singing Freedom" and of course, "Four Green Fields" are all standards in the repertoire of folksingers around the world in the late twentieth and early twenty-first centuries.

Asked recently if he had any plans to retire, he replied "Yes, of course, I retire every night and in the morning when I awake I realise just how lucky and privileged I am to be able to continue doing the things I love to do."

 

 

 

A Little Road and a Stone to Roll
Remembering Tommy Makem
He would have laughed, Tommy would, if he heard all of us calling him the Bard of Armagh - such a windy title for an old singer from Keady! And yet, in the oldest and truest sense of the word he was exactly so: musician, singer, poet, songmaker, storyteller, traveler, historian…

Is difficult now to remember a time when being Irish in the United States was not a positive thing. And yet it was true. The Irish (and for that read Catholic Irish) were looked on with some suspicion -- as being somehow different. When John F. Kennedy ran for president, there were many who voiced concern that he would owe more allegiance to the Pope than to the United States. What passed for Irish music was also different -- sentimental songs that owed more to the music hall than to Ireland, brought to us by well-known and well-intentioned artists: 'Danny Boy' and 'McNamara's Band', Bing Crosby and Carmel Quinn

Then, as if out of the mists of Erin, the Clancy Brothers and Tommy Makem appeared. Arrayed in bulky Aran sweaters, they brought us an entirely new kind of Irish music -- a music from the heart of Ireland. There were songs that we had never heard before: bold songs, old songs, songs to make us laugh and cry... and powerful songs of independence, rebellion and insurrection. When I asked my father and his friends about these, the stories began to pour out -- stories of Irish history and subjugation, stories of emigration and stories of loss. Through Tommy's music, I discovered a part of my own history of which I was completely unaware; and with that knowledge came a pride in my own culture and identity coupled with an unfailing, lifelong love for our music.

Tommy was always at his best with an audience. When he was performing, the room was charged with energy and his connection with the audience was powerful and palpable… and the proof was in the singing. Tommy never failed to coax the least likely singers into full voice. I remember sitting beside my brother (who, to the best of my knowledge, never produced a recognizable note of song in his life) and listening in amazement as he belted out the chorus to "Waltzing with Bears". Every concert was an everlasting gift to his audience, to be treasured and remembered always.

Throughout his long career, Tommy's music was always evolving - reflecting a changing Ireland and a changing Keady. But throughout his life, there was always the unwavering devotion to song and story, and the magical Makem way of mixing the lighthearted and the profound into an experience to be shared on a deep and personal level.

And now the Bard is gone... but as with all great Bards he remains. The legacy of his music is now in the capable hands of his sons. His songs are so entwined with the Irish repertoire that most people think they are traditional. His words have become the anthem and inspiration for freedom-loving people all over the world. And if you listen closely, you will hear his gentle mark all across the incredible span and diversity of Irish and Celtic music today, and for generations to come.

And for myself, I know exactly where to find Tommy Makem: having a nice, easy walk somewhere in the hills and fields of his beloved Keady -- singing a song and rolling a stone along the old boreen.

Slán abhaile Tommy! You will be remembered and loved always…


Seán O'Meara
Music in the Glen
WWOZ 90.7FM New Orleans
August, 2007